Darya Razavi

About Me

I’ve been singing for as long as I can remember, and it has never stopped. It continued to the point where both my teacher and I felt that I not only needed to, but also wanted to share the knowledge and the art I’ve gained with others — and teaching became one of the ways to do that. A way through which you don’t just learn singing, but also learn how to connect with your inner self. You get to know yourself better, dive deeper into who you are, and begin to discover yourself. That’s the path singing lays before you — that’s what it did for me. Singing can be a form of healing — for your voice, your body, your mind, and your soul.

Teaching Method

My classical voice teaching is based on the techniques of Bel Canto, Garcia, Richard Miller, and more contemporary approaches drawn from the teachings of David Jones and Julia Samsonova, which I have learned through Hasmik Karapetyan. My contemporary voice teaching follows the CCM (Contemporary Commercial Music) methodology under the mentorship of Diane Napier. The classes include vocal exercises tailored to each student’s needs, familiarity with body and vocal anatomy, breathing techniques, repertoire development, and the art of performance.

Experience

• Soprano singer in the choirs of Tonal, OKFT, Gol-e Yakh, Araks choir, and Dayan • Soprano soloist in Carmina Burana conducted by Sina Kheirabadi • Completed a 25-hour vocal pedagogy course with Hasmik Karapetyan • Completed the Advanced Vocal Pedagogy course with Hasmik Karapetyan • Completed the CCM Technique course with Dr. Dione Napier • Participated in acting courses and workshops with Parsa Pirouzfar, Mirsaeed Molavian, and Neda Shahrokhi • Performed the role of Violetta in La Traviata by Giuseppe Verdi, directed by Neda Shahrokhi